{"id":326,"date":"2017-10-04T17:12:40","date_gmt":"2017-10-04T15:12:40","guid":{"rendered":"http:\/\/kwartludium.com\/?page_id=326"},"modified":"2024-10-13T16:46:06","modified_gmt":"2024-10-13T14:46:06","slug":"improvisation","status":"publish","type":"page","link":"https:\/\/kwartludium.com\/?page_id=326&lang=en","title":{"rendered":"Improvisation"},"content":{"rendered":"<p>Graphic music \/ musical interpretation of paintings<\/p>\n<p>Ever since its origins Kwartludium has not solely focused on reading scores but has persistently developed the art of modern improvisation. This particularly important stream of contemporary music is present in the creative output of many outstanding composers of our times such as Karlheinz Stockhausen, Cornelius Cardew, Dubravko Detoni, Carl Bergstroem-Nilsen or Bogus\u0142aw Schaeffer. Works of these composers are characterized above all by abstract graphics or else by aphoristic instructions regarding ways of shaping form, type of sound, texture, narration. Through their denial of traditional musical notation, these compositions open for their performers unlimited possibilities of artistic expression. Therefore this music is planned and simultaneously gives the performers freedom and the chance to use their own imagination.<br \/>\nNatural consequence of Kwartludium\u2019s quest in the area of graphic music is the attempt to face works of young Polish visual artists in terms of their tonality. The ensemble made one step further and made their aim to interpret works which primarily were meant to be merely works of visual art. Through music the musicians of Kwartludium are attempting to reflect form, abstraction, colour or texture. This creates the chance to perceive art multidimensionally.<\/p>\n<p>Concert programme:<br \/>\nGraphic music:<br \/>\nKarlheinz Stockhausen \u2013 Aus den Sieben Tagen (excerpt)<br \/>\nCornelius Cardew \u2013 Tretease (excerpt)<br \/>\nDubravko Detoni \u2013 Blatt 1, Blatt 2<br \/>\nCarl Bergstroem-Nilsen \u2013 Frameworks<br \/>\nBogus\u0142aw Schaeffer &#8211; Non stop<br \/>\nRoman Haubenstock-Ramati \u2013 Decisions<\/p>\n<p>Musical interpretation of paintings:<br \/>\nKarol Radziszewski, Two\u017cywo, Rafa\u0142 Bujnowski, Adam X, Pola Dwurnik, Anna Okrasko, Adam Witkowski<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Graphic music \/ musical interpretation of paintings Ever since its origins Kwartludium has not solely focused on reading scores but has persistently developed the art of modern improvisation. This particularly important stream of contemporary music is present in the creative output of many outstanding composers of our times such as Karlheinz Stockhausen, Cornelius Cardew, Dubravko [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-326","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/kwartludium.com\/index.php?rest_route=\/wp\/v2\/pages\/326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kwartludium.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kwartludium.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kwartludium.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kwartludium.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=326"}],"version-history":[{"count":3,"href":"https:\/\/kwartludium.com\/index.php?rest_route=\/wp\/v2\/pages\/326\/revisions"}],"predecessor-version":[{"id":1571,"href":"https:\/\/kwartludium.com\/index.php?rest_route=\/wp\/v2\/pages\/326\/revisions\/1571"}],"wp:attachment":[{"href":"https:\/\/kwartludium.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}